Young Man On Wicker Bench

Divided Back, Real Photo Postcard. AZO stamp box. Circa 1910 – 1930.

Price:  $5.00

A young guy (now, to me he looks Irish, but that could just be that he reminds me of someone I knew who was Irish-American) in suit, tie, hat and high-top boots, seated in a wicker photographer’s chair – a bench, sort of, no back to the chair most likely. The rug beneath him has a nice diamond pattern. And is that a photographer’s painted backdrop? You be the judge. We’re so used to seeing these that it was the assumption, at first. Yes….no…..well, maybe yes, but a very nicely done one.

And this post has a rather generic name because I started to see what impression I got for “mood” and couldn’t pick just one. Like always, when you look at a photo of someone up close, you’re looking at their eyes and the set of their mouth, and then you end up getting many impressions. Maybe in layers – and this is, well, of course, because nobody’s just three-dimensional – even though we’re seeing in 3D, we’re sensing more. Then too, our impression of someone can easily change depending on our own mood. (I’m just using “mood” here as a quickie term,  but of course, it’s more complex than that.) It’s a pretty fascinating thing to really look at photos of people. Same for landscapes or whatever. (Surely the impressions of the photographer when he or she took the photo, play in there somewhere, for how we view it.)

Boy Eating Watermelon

Divided Back, Real Photo Postcard, unused. AZO stamp box. Circa 1907 – 1918.

Price:  $7.00

I was in mind to post this one in July for summertime and here it is almost October. So, before summer slips completely away this year, here it is. And laughing at my title now, does it remind you of “man-eating shark”? 🙂 Anyway, it’s a great shot, a little boy in shorts and an old straw hat, on his porch steps. Posed between two large watermelons, he’s holding up a large slice that has a big bite out of it. A woman, maybe his mom, half out of camera range, looks on.

I’ve got two whole watermelons in the pantry right now and another half in the fridge. (Yes, I know I am truly blessed.) Large mugs of blended watermelon are on the agenda for breakfast again. (Nirvana!) For the 411, health-wise, on watermelon and melons, in general, see the Medical Medium blog posts:  Watermelon and Healing Powers of Melon.

“Watermelon” and “Healing Powers of Melon”. medicalmedium.com. (Accessed September 24, 2022.)

Three Guys In A Window

 

Old photo, white border, circa 1920s – 1930s. 

Price:  $5.00            Size:  About 5 x 7″

There’s something about people appearing in doorways and window frames….the frame within a frame thing, maybe. And these rustic old buildings….the wood shade across the top of the window (different), the busted sill, the dangling electric….what was the story? A house someone bought that would be fixed up? (There are windows on the adjoining side.) Anyway, one guy in jacket and hat (ciggie in hand – so un-pc as to be refreshing, right? 😉 ) leans on the window frame and smiles for the camera. His two buddies are in the shadows standing next to and behind him. The two look like they could be brothers. (Or maybe all three are.)

This photo reminds me of a prior post:  Handsome Sailors. And I think I have another “guy in window” type but I have to find it.

Ruth Bower and Family, Pontiac, Michigan, Circa 1923

Old photo, white border. 92 Oak Hill St., Pontiac, Michigan. Circa 1923.

Price:  $15.00          Size:  3 and 7/16 x 5 and 9/16″

A lovely snap, half-posed, half-candid of family life in Pontiac, Michigan, about 1923……

The reverse shows:   “Oak Hill St, Grama & Grampa Bower, Ruth, Helen, Al.”

This will be a great photo addition for descendants of this particular Bower family. This snapshot was taken at 92 Oak Hill Street, Pontiac, Michigan, the house having been fairly recently built – in 1920 (according to Zillow.com).

Ruth Esther Bower (born 1905 in Detroit, MI) is the young lady smiling for the camera. She is the daughter of the older couple on the porch, who are Charles Bower (born 1856 in E. Hamburgh, NY) and Hannah Prudence (Allen) Bower (born 1867 in Avoca, St. Clair, MI). The two children are the couple’s grandchildren and Ruth’s niece and nephew. They are Helen Mae Bower (born 1914 in North Branch, MI) and Alvah B. Bower (born 1921 in Pontiac, MI). Helen and Alvah are the children of Henry Earl Bower and Minnie (Yerden) Bower, and this is their home at 92 Oak Hill, in Pontiac.

Sources:  “92 Oakhill St, Pontiac, MI 48342.” zillow.com. (Accessed September 20, 2022.)

Michigan Department of Community Health, Division of Vital Records and Health Statistics; Lansing, MI, USA; Michigan, Marriage Records, 1867-1952; Film: 108; Film Description: 1911 Washtenaw-1912 Barry.Find a Grave, database and images. (Ancestry.com).

(https://www.findagrave.com/memorial/37844263/hannah-prudence-bower: accessed 20 September 2022), memorial page for Hannah Prudence Allen Bower (3 May 1867–29 Jun 1929), Find a Grave Memorial ID 37844263, citing Perry Mount Park Cemetery, Pontiac, Oakland County, Michigan, USA; Maintained by SisterMaryLouise (contributor 46984885) .

Michigan Department of Community Health, Division of Vital Records and Health Statistics; Lansing, MI, USA; Michigan, Marriage Records, 1867-1952; Film: 177; Film Description: 1924 Monroe-1924 St Joseph. (Ancestry.com).

Michigan Department of Community Health, Division for Vital Records and Health Statistics; Lansing, Michigan; Death Records. (Ancestry.com).

Michigan Department of Community Health, Division of Vital Records and Health Statistics; Lansing, MI, USA; Michigan, Marriage Records, 1867-1952; Film: 175; Film Title: 63 Oakland 10110-13449; Film Description: Oakland (1933-1935). (Ancestry.com).

Hats Galore

Old photo, circa 1900s – 1910s.

Price:  $5.00          Size:  4 x 2 and 3/8″

Just an old snapshot that has been around for over a hundred years – it had lived most of its life in one of those old photo albums with the black pages, before being picked up at a paper fair. No writing on the back at all, and it’s blurry (but imagine you are bringing the scene into focus!) And what a great time these eight ladies are having….all in some of the most wonderful hats, no two are alike. And we get a sense that the woman in the dark satin blouse was the focal point of this photo – it was some type of special occasion for her.

Postcard To Mabel L. Schultz, Halsey, Oregon

Divided Back, Real Photo Postcard. Postmarked June 9, 1910 from Portland, Oregon. 

Price:  $15.00

The image on this postcard is of Tressa or Tessa, surname unknown. She writes:

“Wish you were here this week enjoying the Rose carnival. Dude is here and she is to be with me tonight. Edna C. is staying with Oda this week but she will visit me next week. Met her intended yesterday. Suppose you are sorry that school is out? I haven’t heard from Neta in a long time, jog up her memory a little. Write soon and tell me if you are coming down. Much love to you from Tressa.”

“My dear Mibs:- Just recv’d your card so will answer right away. I am sorry I haven’t written before. The schools here close the 22nd. Are you coming down then? I hope you are and you know you must stay longer this time than you did before.”

Addressed to:   “Miss Mabel L. Schultz. Halsey, Oregon.”

Such a charming photo from the sender, she in her wide-brimmed hat, trimmed, in part, with ostrich feathers. (The details of the whole ensemble stand out pretty well for such a small photo.) But, we can’t be sure whether her given name is Tressa or Tessa and we’ll have to skip a long, drawn-out search for her, too many possibilities, even factoring in  trying to tie in the names she mentions in the note to Mibs. (Though some time was spent – as the mystery always beckons.)

As for Miss Mabel L. “Mibs” Schultz:  She is likely the person appearing on the 1910 Federal Census, in Albany, Oregon (about 26 miles north of Halsey) born about 1887 in Nebraska, daughter of Herman and Belle Schultz (spelled Shultz). Mabel’s occupation in 1910 is schoolteacher at a public school, and that definitely fits with the references in Tressa’s note.

Source:  Year: 1910; Census Place: Albany Ward 1, Linn, Oregon; Roll: T624_1283; Page: 5A; Enumeration District: 0198; FHL microfilm: 1375296. (Ancestry.com).

Kate Hang, Redondo Beach, 1911

Divided Back, Real Photo Postcard, unused. August 1, 1911. Artura stamp box.

Price:  $15.00

“Taken Aug. 1st at Redondo.”

The scene behind Kate is, of course, a photographer’s backdrop, and a nice one at that, with its breaking waves, rocks, lighthouse and distant ship. Holding a pastel striped parasol (note the optical illusion – it appears to be inside-out) and in a graceful pose with natural-looking head tilt (the photographer must have loved her!) Kate is trim-waisted in long skirt, belt, and a white blouse – pleats, cuffs, and a collar folding down into a wide tie – perfect for the seaside look. I’m trying to figure out that hat with it’s missing center part – maybe just a wired velvet half-wrap with velvet flower on the side. Different, but not surprising given the myriad of styles showing up in old photos and postcards.

The surname on the back is a little hard to read but Hang is the only name that fits, according to records found, though there are not many, and the name is often misspelled “Haug.”

1916 Voter Registration:  310B Metcalf St, Los Angeles, CA. Mrs. Katie Hang. Spouse, John is a cook.

1920 and 1924 Voter Registrations: John and Kate, 1668 Echo Park Ave, Los Angeles. John works for the American Railway Express. Name spelled “Haug.”

1918 WWI Draft Registration for John Hang:

1934 Voter Registration and 1937 City Directory – John (clerk) and Kate. 710 Lucretia Ave. Name spelled “Haug.”

Sources:  U.S. World War I Draft Registration Cards, 1917-1918. (Ancestry.com).

Railway Express Agency. n.d. https://en.wikipedia.org/wiki/Railway_Express_Agency (accessed September 13, 2022).

Los Angeles County, California, U.S. Voter Registrations, 1900-1968.  (Ancestry.com).

Los Angeles Directory Co.’s Los Angeles City Directory, 1937. p. 882. (Ancestry.com).

Japanese Kabuki Performer RPPC

Real Photo Postcard, unused. Date unknown. Publisher unknown.

Price:  $15.00

A Kabuki actor wearing an eboshi hat (a type of ceremonial headwear for men). Kabuki theater was invented by a woman but in the 17th Century women were banned from performing it. (It’s worth enlarging this photo to see the details – specifically the make-up, which is, not surprisingly, very beautifully done.)

The publisher is a mystery at the moment. I’ve seen the stamp box before on other Japanese RPPCs but currently am finding nothing online to identify them. The writing on the front (in the musical instrument lyre design) and on the back is, I think, in Kanji, a system of writing which has thousands of characters, so we’ll need to try to get some help on it, if possible.

Sources:  “Kazaori eboshi hat.” Google.com search. Accessed September 10, 2022.

Strusiewicz, Cezary Jan. “How Women Disappeared From Kabuki Theater.” January 10, 2022. tokyoweekender.com. Accessed September 10, 2022.

Aqsunqur Mosque (Blue Mosque) Cairo, Egypt, Circa 1910s

Old photo, circa 1910s. Cairo, Egypt.

Price:  $30.00             Size:  2 and 1/2 x 3 and 3/8″

A view from Bab al-Wazir street, Cairo

We’re taking a trip to Egypt. Here’s a photo found loose in a box at an antique store in Nevada. (There’s the photographer’s journey and then there’s the photo’s journey.) But, it’s always exciting to happen across the ones from far-off places, in this case to picture the individual traveling by steamer, along with his or her trunks, exploring someplace exotic, soaking in a different culture (though it probably wasn’t viewed in that terminology back then) and then taking a moment to write in a strong hand, “Cairo -“ upon his or her return. (Also, appearing on the reverse are the initials in pencil, “M.S.D.”)

Predominant in the view, the building with the rounded dome, is the Aqsunqur Mosque or Blue Mosque, along with its minaret, and another in the background. The mosque was built in 1347 on the orders of a prince, Shams ad-Din Aqsunqur, during the reign of the Mamluks. It is one of a number of “blue mosques”, so named because of its walls of blue tile, on the interior. The tiles were not added until a period of renovation in 1652 – 1654.

Rather dark in the image (click twice to enlarge) is a man wearing a Fez hat, standing very straight next to an auto with its top down.You can read what we assume to be the license plate. The gentleman appears to be in uniform (note the sleeve cuffs that are slightly short) and the small necktie. We’re picturing him as a cabbie or the driver hired by our traveler. Behind the car, barely visible, two men in white hats. To our right, a small wooden cart with large wheels; this would have been either hooked up to an animal or have been pulled or pushed by a person. (Both instances are seen in photos and postcards found online.) Further right, a small child in long dress and head covering, probably being watched by her mother, whom we can’t see due to the shadows of the building.

Sources:  Aqsunqur Mosque. n.d. https://en.wikipedia.org/wiki/Aqsunqur_Mosque (accessed May 27, 2022).

Jama’a Al-Aqsunqur (Blue Mosque). (World Monuments Fund). https://www.wmf.org/project/jama%E2%80%99-al-aqsunqur-blue-mosque (accessed May 27, 2022).

Smiling Young Man in Shaped Border RPPC

Divided back, Real Photo Postcard, unused. Circa 1920s. AZO stamp box.

Price:  $7.00

A happy guy, great pose for the camera, wearing a large-check patterned suitcoat, pencils in the pocket (maybe he was an accountant, an architect, an artist….), tie, hat pushed back, and glancing up and left. He chose a nice, diamond-shaped border to frame the image, it might remind you of a Native American (i.e. design on a Navajo blanket). See our category “Shaped Borders” from the Home page for more.